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In the days ahead please text or email me your reviews and I will post below. Check back for updates. Feel free to make comments on the reviews, but do not post reviews in comment section. Send them to me. Write reviews, and also consider your nominations. The Haverhast (film of the night), The Saint (a favourite film, not necessarily the best), Honourable Mention – a performance, detail, music or moment that struck you as elevated.
Extensions V: The Truth (2023 Director’s Cut)
Why it should win the Haverhast:
Here we see the Rycortian Group at their best. Great performances, a wide range of characters and an astonishing tale unfolds. A perfect synthesis of Zen, Death, and Grass as understood in the mind of it’s creators. Although only 90 seconds were cut (a clear testimony of the original creation ~a particular nod to Mr Y) perhaps another 90 or so secs may have been cut. Or not. Seeing and hearing PC as guitar playing Actuality was a highlight, only bested by Smart’s assassination (and subsequent framing of Y) of the Storyteller.
Why it should not win:
It is original repertoire and we try to pick new features.
The Tin by Vlindinhauer Haverhast
Why it should win The Haverhast:
The seventh in the Next Nightmare series, here we see VH going even simpler than ever before. Moreover, his first film with no dialogue! Astonishing, considering the very wordy puzzles of the past. Succinct and brilliantly filmed by Other Derek we see “Cabot”, the man with rake, wander in this (what is it, dystopian or prison like world?) until he gets some sort of assignment. Whilst raking he uncovers “The Tin” and the world is forever changed. VH as “Cabot” steals the show as he maniacally devours the product whilst making sure he is not being spotted. One of the rare blood/shock moments of the evening, the practical effects remain remarkable and delicious. The score, as provided by The Professor and arranged by VH remains one of the best to date. Perhaps only bested by Herr O on last year’s
The Passage.
Why it should not win:
Many folks confided in me that they admire my works mostly because of the libretto. This being an essentially silent film, many were greatly saddened by the lack of words.
Broadway Bound
Why it should win The Haverhast:
Very simply, The King
Why it should not win:
As a delightful documentary of sorts it lacks many of the horrors we expect in this sort of programme. That said, it was not without it’s greater dread.
Historical Macabre/Coober Pedy by Visitor Blim AKA: Mikroglycerin
Why it should win The Haverhast:
I’m lumping these together for brevity. Blim bringing this new technology to the table is as clever as it is frightening. I believe we all received some college credit for the historical pieces.
Why it should not win:
It did seem a cut-n-paste-run-thru-the-AI-robot-product. Moreover, one or two tales may have sufficed in showcasing this sort of product.
Feldgeist by Wilhelm Van Benkerstein
Why it should win The Haverhast:
A strangely touching work. Also delivering a few delicate jump scares. Our protagonist seems to be struggling with the hip urban bull (shit) of his past and trying to reconcile with his new less-interesting suburban/cubical world. Harrowing upon reflection. His only joy is barely gleaned at a trip to the hairdresser, which then triggers an inner cataclysm. Well paced, visually stunning, and a very creepy aural enviroment.
Why it should not win:
I would’ve liked to have seen more of an end credit roll.
The Exhibition Films
Here we have the Debut of Nick on our stage with a trailer to his full length feature. Can’t wait to see it! Let’s hope Nick has an official presentation next year!
I’m also including Reek Crudely’s “Five Little Piggies” here as it was released some time ago. A damn good time but, obvs, part of another festival. Always good to see bit’s like this in the evening.
The Deer Island Incident by current Haverhast Champion Reek Crudely
Why it should win The Haverhast:
This “Netfux” documentary masterfully narrated by Warner Hurtsdog was a classic Extension’s style good time. Lots of cameo’s help piece together the incident of the hideousness of raining deer at Deer Island. Mary Widow as Jaiyeen Godween (the Suffolk county Cat Lady) added a certain authority to the painting of the mystery. Great use of driving sequences and found FB photography.
Why it should not win:
As ever, Reek is ambitious, may be a bit too so. A bizarre mystery is being unpacked by those involved, and “experts” are bringing life and authenticity to this scenario, however, seems the desert footage needed a bit of a culling. Harry Thomas overshadows the other many wonderfully horrid testimonials given. We often hear about folks working on their films right until showtime, perhaps one more pass is needed?
Then again, it never happened.
RECAP 2022-23
A good time closer revisiting some of the recorded good times over the last year. Seeing The King again with the powerful chairs-from-Jevelis sequence added continuity of the evening. The drunken concluding moments with Andrew were quite touching. Perhaps a little long, but the intermission gave us a respite. Sadly, some people left before it’s conclusion and risk …. disqualification!
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Extensions V: The Truth (2023 Director’s Cut)
Why it should win the Haverhast:
The most coherent storyline in any of the legacy Rycortian productions was worth revisiting to see how productions of yore were made before the advent of the internet, smart phones and so forth. The plot mechanism of the portal from scene to scene was clever. This was a real trip down memory lane with people and places that are gone. Who could forget the brutal assassination of The Storyteller by Mr. Smart ? Or Earl (even better than The Saint) and The Jogger? Cameos from Steve Albert, Collin, Pat Campbell, Dave Lamere and the rest made the stew even richer.
Why it should not win:
Maybe there’s a technological statute of limitations or a DQ at work here because videos like this one required a different type of effort. Productions of yore were all shot on VHS and painstakingly edited tape to tape by Mr Y. If you fucked up an edit, you had to start again. Productions of yesteryear can’t really be compared or graded with today’s offerings, as the technology rubric is askew.
The Tin by Vlindinhauer Haverhast
Why it should win The Haverhast:
The tin of herring was a disgusting and terrifying plot device that made me squirm in my seat. The introduction of the cuttlefish/octopus/squid body invasion was made even more terrifying as the soundscape by The Professor swelled and OD’s amazing photography and post production work culminated in pure doom (When the tentacle emerged from the victim’s mouth – I felt a brief homage to Sea Virus!) The film with no dialogue ticks all of the boxes for a horror film – and was a refreshing offering from DJM and is worthy of this year’s Haverhast.
Why it should not win:
There is no reason this film shouldn’t win this year’s Haverhast.
Broadway Bound
Why it should win The Haverhast:
After a shitty year, what’s better than a road movie with 2 brothers hell bent on having damn good times on Broadway ? !
Why it should not win:
A Haverhast might be serve as an incentive for another road movie with 2 brothers… hell bent on having damn good times on Broadway !
Historical Macabre by Visitor Blim
Why it should win The Haverhast:
The return of Blim to the milieu de terreur was a solid effort. His exhaustive research of haunted places was both entertaining and educational.
Why it should not win:
I think it was David Lee Roth, America’s Poet Laureate who once said “Brevity is the soul of terror. “
Zombies of Coober Pedy by MPM
Why it should not win The Haverhast:
Disqualification. Material was created by William Shatner
Feldgeist by Wilhelm Van Benkerstein
Why it should win The Haverhast:
From the Deutsch “field spirits” – A character study of a man obviously having some type of identity crisis is a form of terror / horror manifestly made worse by the manic flute sounds and the appearance of (Tab)The Minotaur. Frank’s advice of “Maybe you’ll figure something out for yourself” and his reaching out to social services does little to lighten the burden of our hero. Slow insanity is always a tall order to create visually, and this was a very creative effort by William, bravo.
Why it should not win:
There’s no reason this effort is not in contention with the others to win a Haverhast.
The Deer Island Incident by OD
Why it should win The Haverhast:
As I sat watching, I felt that this would be the crowd favorite. A beautifully shot, comedic, coherent storyline with multiple characters and cameos and superior post production. This took a lot of effort to make and my hat goes off to OD and the all star ensemble.
Why it should not win:
There is a fine art in blending comedy and horror – one false step and it crumbles. There’s no reason this effort is not in contention with the others to win a Haverhast, however, this one receives my Saint’s Choice vote.
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Extensions V: The Truth (2023 Director’s Cut):
The first of the series I witnessed years ago, I’m very fond of this movie being my introduction, now after seeing it again, I must say it might be my favorite of the original material! The concepts and horror are well executed for the technology of that time.
The Tin by Vlindinhauer Haverhast:
A sheer delight, and beautifully filmed, the pacing was great and the shocking horror was the best practical effects of the night! I’m always a fan of someone eating or drinking something they are not supposed to and having the consequences of such actions. This is my saints choice
Broadway Bound:
Powerful tale of brothers on a journey to the big apple! What’s not to love about this good times bonanza! Very touching and the king is always a delight to witness on screen!
Historical Macabre/Coober Pedy by Visitor Blim AKA: Mikroglycerin:
With new technology we must make sure to err on a side of caution, informative and neat to see it in use, but maybe could’ve been shortened and used some human touches to make it a little more engaging. I hope we see more of this technology and what it can do!
Feldgeist by Wilhelm Van Benkerstein:
Something most can relate with, the adjusting to the monotony of regular life from the exciting days of our youth, the film had a wonderfully somber feel, and menacing with his machinations!! This was my favorite film and my choice for the haverhast this year!!
The Deer Island Incident by current Haverhast Champion Reek Crudely:
A fun film and always great when all the talent in the room is used, some of the best characters of the night are in this film. I think if there was just a little bit more clarity in the explanation of “the incident” this could’ve taken the haverhast.
RECAP 2022-23:
My favorite film of the night (usually Is every year) there’s no shortage of good times, in a year that has been full of work and stress it’s nice seeing all the events and moments we had! Great to see footage of the chairs to the king.
E5 The Truth
Always a joy to return back to this crew and their ongoing odyssey throughout the analogue age. I agree with the general sentiment that this was the most cohesive adventure yet. Less gun violence and more door to door transitions. Cinematic innovation at its best.
The Tin
This visually rich cinematic-poem checks all the right boxes. The grotesque finale enriches the meditation on captivity. I really enjoyed the simplicity of the story and the acting and the animated chewing. My only criticism is that I would have enjoyed some kind of ‘prison-like’ sound or alarm to further emphasize the point of the prisoner’s incarceration. The Professors audio and OD’s cinematography match the atmosphere of the picture perfectly.
Broadway Bound
A lovely documentary of two brothers reconnecting over the shared joy of JAWS. I really felt this one. What a departure from the usual lineup! Perhaps one day we’ll all be able to enjoy ‘The Shark is Broken.’
Historical Macabre / Zombies of Cooder Pedy
This might have been the most horrific picture of the night. I was fascinated by the concept. The fact that this was driven by artificial intelligence gives an interesting atmosphere, and the spooky imagery really drove the point home on the horrors of war.
Feldgeist
This picture came together pretty quickly. The office scenes were shot some time ago on one of the more lonely days at the office. I’m glad to have utilized the new leaf-blower, and I look forward to incorporating it into future productions.
The Deer Island Incident
Another great entry from Reek. The Herzog narrating was spot on and the graphics are always impressive. One day these Reek Corporations will team up. What hellish creation will come from the inevitable merger of Netfux and Faux news? A documentary that never quite reveals what really happened on that day, I’m hoping this isn’t the last we see of the deer-human hybrids!
E5: The Truth (2023 Director’s Cut)
This was a really cool film the extensions crew put together. The first scene was striking in its performances, music, cinematography and camera movement. It was great to see so many members return from previous films, this time a bit wiser. While this film lacked some of the manic pizazz that E4 possessed (it wasn’t without a heinous murder, though, this time the flattening of the storyteller’s head with a bowling pin), this was a more mature film, and its meta-fictional tilt was particularly thought provoking. I did have a few problems making out what was going on due to some sound quality issues that no doubt are due to equipment and age, but those sound issues did not detract from my enjoyment of E5: The Truth. Now I just need to figure out what really is the truth.
“Listen. Dave, I was sent here by the upper levels to get you back on line. Now get with the program!”
The Tin
For some sick and twisted reason, this may have been the film that I had the most fun watching at E39. And not just because I had a hand in its creation– because I saw what I shot, and what VH was able to do with the footage was a feat, especially the color choices that were made. This took us less than an hour to film- VH, Persephone, and myself one afternoon prior to an ablution (which was required, given the fake blood and sea-refuse that VH had all over his body), and I think that the fun we had making it is apparent in the finished product. This checks off many of the boxes for me that I come to expect from a VH film– bizarre, barren landscapes; idiosyncratic characters, gnarly mastication closeups; horrifically bloody gastro-deaths. My Vote for this year’s Saint’s Choice.
“…”
Broadway Bound
The McClellan Boys Take Manhattan! Wow what a treat! I wish I had been a part of this trip. Well, actually maybe not, I don’t think I have the liver for a trip like this. I don’t know Jim well at all, but it was great to see him and his brother enjoy their time together on Broadway.Their senses of humor became more and more apparent and loose as the trip went on (and by trip I mean drinking). It’s always good to hear the “Cautionary Tale,” and I am glad to see that the McClellan boys heeded the mistakes of their elders and made it to the play. Pearls of wisdom were shared throughout, and for that I am thankful.
“He who dies with the most toys wins!”
Historical Macabre & Zombies of Coober Pedy
I’ll group my review of Mikroglycerin’s two short forays into AI art together here. These are the sorts of videos I typically look for on youtube late in the evening when I want something to put me to sleep. What’s interesting is that during the showing itself, I was too interested in the stories to teeter off. There was a lot of fascinatingly gory information, paired with bizarre AI images, which made this strangely enthralling. I think the best parts of this were the modern tours we got of a couple of the houses, which I assume Mikroglycerin shot himself– a nice touch. While I thought all-together these felt long for an Extensions Saturday, I applaud Mikroglycerin for the effort, and hope to see more of these appear on my subscription feed.
“I get acquainted with an opal miner and I think ‘Yeah I can buy some opals here.'”
Feldgeist
Willhelm Van Benkerstein’s latest is – dare I say – a triumph. I was originally struck with the desolate office, which felt like it existed in some liminal space, and set us up nicely for what is to come. Willhelm’s performance throughout was tasteful and not without a subtle sense of silliness. Ultimately it’s the more fantastic, dreamlike and horrific elements that make this short film a winner in my book, and my choice for this year’s Haverhast. Willhelm approached E39 with the correct temperament and zeal, and managed to hit most, if not all, of the marks that have made for Haverhast winners in the past. In my opinion this was really the only film this year that really got both the”Horror” and “Art” parts of “Horror Art,” and also managed to make me crack up laughing, especially in the haircut scene after Willhelm freaks out about wanting to dance, and then it just cuts to him and Frank hugging. Subtly tasteful music, some beautifully shot exteriors, great use of a leaf blower, and callbacks to previous winners (the implied jump out the window was great, calling back to Mikroglycerin’s turn in Ar Phrayaxus… and that brown swirling coffee reminded me of several scenes from previous year’s films!) make Feldgeist a joy to behold. Great stuff, Willhelm!
“I just want to be back in the scene man.”
The Deer Island Incident
Each year, in preparation for an Extension film, I try to plan a film that makes use of what I have. In years past, Derek and I have done a lot of driving, so my original idea for this year was to make a film about a harrowing car ride– to hell! That got waylaid as seasons and routines change, so I scrambled to come up with something in the last few weeks. Thankfully we have an amazing extended Extensions family whom I asked to provide me with scenes and sequences for this short mockumentary. I am particularly indebted to Frank and William, Mary Widow, Marisa & Derek, Nick D’Agostino (who made his first proper on-camera appearance this year, despite assisting in a great many of my films in the past, including last year’s Haverhast winning La Mer de Dieu, wherein Nick’s hand appears from the depths of a toilet), and Ryan Mussen (a prior contributor of sound and music to many films in the past, who this year graciously shot all of the Joshua Tree sequence). My mother Eleanor and sister Jess also make brief cameos, as does Holly, plus also thanks to the Meta Corporation for publishing photos of Bob, Mike, Mark, and Derek & Marisa for me to pilfer from the book of faces for a couple of lolz. I wish I had made the ‘joke’ much clearer– how did one million bucks fall from the sky that night? I could probably fix this with a simple re-shoot and re-edit, which I may just do and then repost on the youtubes. All told, I had fun editing a ‘documentary’ and I hope you all had fun with it too.
“All I wanted was to exit my truck and dance widdershins naked with the deer in the moonlight. But I had work to do, and do it I must.”
RECAP23
Another year in the books. And another Recap film… In Triumph! Putting ourselves in situations that evoke presence is something that I think VH does an expert job at, then having the foresight to document, then edit, these experiences is something for which I’m extremely grateful, and glad to be a part of. The cameos are excellent– VH and Beachmont Frank lead the show, but Blim, The Professor, The King, Maurice, Sully, Holly, Jerome, Captain Cat, ILO, even Deeb shows up! Plus the small gags throughout — the disappearing Derek, the dunkin’ bongnuts cup, the repeated journey’s through “the passage.” It was also a delight to discover the depths of Andrew, whom we hadn’t lost yet, but did eventually lose.
“The lengths we go through to deliver these chairs!”
“I hate dictation.”
“Wow croissants and chairs– you got everything in this place!”
“I think I’m being hazed by men… on a Monday. It might be a slightly imperfect circle hazing monday, saturday.”
“We put it on random, and let the Random Gods decide how the songs go.”
“Not all of us can cultivate our own selves and know what’s going on.”
“Were you eating slices in your sleep? Was there an intruder? You grab the Beretta. BAM BAM BAM!”
“You can’t get veal in Massachusetts, at all!”
“Is that the correct attitude to take when addressing your betters?”
“That is the correct machinery! Thank you for pointing this out, Derek.”
“How do I get a submarine sandwich slider? You just use a hotdog roll.”
“Well that’s where I get all of my work done.”
– These are all quotes from the first half of RECAP23, prior to the Intermission. For those of us who didn’t survive the intermission, may you find peace within yourselves.
“Let us not forget the fact: we all go home. Now whatever you do, don’t drink out of the rabbit.”
–The King
RIP JANA$$
-DC aka RC
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I’ve never been known to be long winded, so I’ll keep this short and succinct.
Extensions V: the Truth 2023 directors cut – the most coherent of the first five Extensions film. The director is beginning to really hone his craft.
“The Tin” – a great slice of horror art. a top 3 pick of the night.
“Broadway Bound” – a nice documentary of the good times
“Historical Macabre” – it was too long and needed to be edited down. More horror, less history.
“Feldgeist” – a nice pastoral horror tale with a dark ending. Probably my pick of the evening.
“The deer island incident” & “Five Little Piggies” – My second favorite film of the evening.
“ReCap 2023” – The usual “sorbet” at the end of the meal. I love dessert, but this one went on too long. I believe this might have been the longest piece of the night at about 42 minutes. I can only assume there was not enough time for any edits.
The Haverhast: Feldgeist or The Deer Island Incident
The Saint: The Tin
Honorable Mention: Extensions V
Thanks for all the good times. Looking forward to 2024.
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The Professor
Extensions V: The Truth (2023 Director’s Cut):As Jack Nicholson famously uttered in the 1992 film A Few Good Men, “You Can’t Handle the Truth!” Well, if The Truth/Afterlife is nothing more a guy sitting in a wintry field repeatedly strumming a guitar riff then perhaps I can’t handle The Truth either!
I believe I have now watched all five of the recut Extensions films. What this one lacked in manic action and epic jam sessions of its predecessors it made up for with focus and intentionality. I’ve had nightmares that played out like this film. Long wanderings through room after room in search of an elusive “something”—something that is never found before waking. However E5 goes full circle and brings us back to the beginning and asks us accept its bleakness because (shiver)that’s all there is!
The Tin by Vlindinhauer Haverhast:This film impressed me with the way all the elements complimented one another; script, acting, cinematography, score, post-production, all working in harmony. It’s classic Body-Horror with nods to David Cronenberg and Ridley Scott. My reading of this ten minute masterpiece goes like this; A man trapped on a barren prison planet is put to work by unseen captors. After traversing rocky terrain for who knows how long, he come upon his appointed job site and unearths and pockets a mysterious tin. Once he is reasonably certain he isn’t being watched he sits down and opens the container. Fish! Sustenance! He ravenously wolfs down the contents of the tin only to realize he has been poisoned–or worse. As tentacles sprout from his body we are left to wonder if he has become a host for parasitic beings or simply dispatched using some sort of bio-weapon. As the man dies the point of view shifts high above him. Are the observers huge creatures or are they watching the scene from some sort of spacecraft? We may never know. Or will we?…
NOTE: I composed and played a handful of atmospheric tracks that I thought would serve as background music for The Tin. However DJM boldly chose to weave these discrete pieces into a hallucinatory soundtrack full of dread and then place it front and center in the mix! The results transcended their modest origins and became the ‘dialogue’ in this otherwise wordless film. Bravo!
Broadway Bound:I must say I was not aware that Derek has an older brother until fairly recently. This roadtrip/documentary was quite poignant. Jim, AKA “The King”, seems like an interesting fellow but one who does not travel much. It was great seeing the Brothers McClellan get together and have some damn good times in NYC. Jim seemed a bit reticent at first, but by the end of the film he is lifting his glass and toasting “Now Today!” That’s the spirits, er, spirit. I would love to see more road films starring this duo.
Historical Macabre:
Visitor Blim wades into new territory by using AI to both showand tell historical Tales of Terror. I applaud Mikroglycerin for the thought and care that went into crafting this technically ambitious film. (I had no idea The Narrators weren’t human until the credits rolled.) If this is what an amateur filmmaker can do with limited resources imagine what could be achieved with the professional versions of these generative tools. At almost half an hour in length this film would have been stronger if edited down to three vignettes. In my opinion chapters I, III, and VI were the most chilling. Huzzah! for breaking new ground.
Feldgeist::
This film was deeply unsettling and therefore a perfect entry for E39. The “field spirit” that haunts our protagonist both day and night is downright demonic looking. Kudos to Wilhelm for the character design and videography. Is the Man-Bull real or imaginary? Does it matter? Either way it’s wreaking havoc with our main character’s increasingly fragile psyche. His slow unraveling and desperation for some sort of return to normalcy drive him to self-defenestrate. Or does it? The ambiguity around what is actually happening in the real world and what is going on in the tormented fellow’s head is what provided the queasy chills and thrills for me.
The Deer Island Incident:
Another ambitious and entertaining film by last year’s Haverhast winner Reek Crudely. It took me a while to figure out what occurred at the conclusion of this film, but I ultimately got it on the second viewing. [Spoiler alert: The Haverhast is actually a magic lamp. I leave it to you to suss out the rest.] Nearly everyone in the Extensions family of filmmakers makes an appearance in this film and all are put to good use. Scares and laughs a plenty, but perhaps too many laughs to really hit it out of the park as a Horror film. From the outside looking in it appears Reek puts these multi-character ensemble films together effortlessly. I’m sure quite the opposite is true and that’s all to his credit. Hoping for something a bit creepier next year. BTW, who else had to consult a dictionary for the word “widdershins”?
RECAP 2022-23:Always entertaining to relive random candid moments from the previous year; both the good and the not-so-good.This one was a particularly rough year one for many of us. We lost some dear ones along the way. The recap was a fitting way to pay tribute to those no longer with us by alternating the somber with the silly. Here’s to more Damn Good Times and fewer tearful ones.
My picks:
The Haverhast: The Tin
Saint’s Choice: Feldgeist
Honorable Mention: The Deer Island Incident
E5: The Truth (2023 Director’s Cut)
This was my introduction to this series and the first piece I have viewed in attendance. I thought it was an entertaining bit of low-fi nostalgia. Though it was filmed before my era of filmmaking, it was relatable both in form and themes; you could feel yourself participating with the filmmakers and enjoying the hell out of the experience. Some cool music choices, loved breaking the 4th wall, brilliant job touching on deep existential themes, and immersive settings were the highlights.
The Tin
This was something quite brisk, affecting, and bizarre. The cinematography and color grade were beautiful, which played in contrast to the disgusting display of tentacular weirdness that was the subject. Winthrop beach offers such a wondrous landscape, I always love to see it shot with such a delicate touch. Cool editing as well with slow mo/reverse really playing up the bursting of cephalopodian appendages.
Broadway Bound
A delightful documentary. Again, it made me feel like I was along for the trip. The king seems like the man. Would love to share a drink with him. Should have illegally filmed the Shark is Broken because I have wanted to see that.
Historical Macabre
This uncanny historical account left me a little dazed. Appreciated some of the historical stories, but it was such a stilted delivery that I found it difficult to stay engaged. Required some editing, perhaps more of a multimedia approach to add a touch of humanity.
Feldgeist
The scenes of a desolate office hit a little too close to home from my past life before work from home. Well done. It’s tough to blend dread with goofy humor, and I think the latter was more successful, although the digital murkiness recalled Inland Empire to mind at times. The haircut scene was hilarious and overall some great acting. I would have to watch it again to try to cull what the central message was.
The Deer Island Incident
I was unsure how the stuff I filmed for this would fit into a greater project, but I should have had faith in the filmmaker’s creative vigor and resourcefulness. I applaud him sending out prompts/lines and not knowing fully what would come back and if it would at all jibe with his overall vision. Shout out to his editing for making it cohesive. The Werner Herzog style documentary was a hilarious and perfect call to present this story. I must admit, it took me over 24 hours to finally get the whole “joke” or reason behind the Deer Incident, but when it hit, it was quite gratifying. Clever girl. Perhaps a few more hints sprinkled in would help future audience members out.
RECAP23
I left at the halfway point. Apologies. Another collage of moments that made me feel like I was there hanging out with the people on screen. Some clever banter. It made me want another drink and perhaps a rangoon.
Haverhast/film of the night: Deer Island Incident
The Saint/favorite film: the Tin
Honorable mention: the acting in Feldgeist
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May 14th 